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It is a film that has strong link with haptic theory. Not only does Denis' film sustain a focus on human flesh, non-human textures also seem to pulsate and breath and bleed. Its horror does not come from fantasy, nor extremity, but rather by hinting towards breaching the boundary. It gestures towards something in-between, caught only in glimepse.
我的夏天回来了
2024-12-26 05:58
四星半。从前看过德尼罗09年的美国版，没想到看到意大利90年的老版还是感动得不行。故事的主题自然是universal，可一直以为意大利跟中国更相近些，尤其在家庭观上（影片里脏乱差的细节也实在太像中国）。wine is also made of grapes.
大口吃饭猫子
2024-12-25 09:38