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努力坚持十三天
2024-12-25 05:55
“儿女”的修辞实则是朝向“父”的显影与指认。王复标和王文清以工人和革命者的身份,共同勾勒出新中国政权的身份轮廓。从片头兄妹俩推让父亲的照片,到片尾“王芳们”在两位父亲的注视下投奔战场,一种以父亲形象作为隐喻的国族意识询唤始终在场。与当前《金刚川》《长津湖》等对比,必将胜利的革命乐观精神和集体荣誉感充当了绝对的前景,枪火与皮肉只被视为背景板,落在人物身后遥远的山头。从“特殊材料制成的人”到“别把我一个人留在这里”,近六十年的语境变迁尽在其中。
王木又
2024-12-25 11:43
"While the film rejects and even mocks ideas of organized religion, it has a solid faith in nature and destiny, as well as in the fundamental goodness of its women. It expresses that faith with serene confidence in the cycles of birth, death and replenishment that play out during the story."
张大驰
2024-12-25 05:32