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「We should both be honest. I just... I got lucky. → Well, you know, luck don't live out here. Luck lives in the city. Don't live out here. You know, that's whether you get, you know, hit by a bus or not. whether your... bank is robbed or not, or whether someone's... on their damn cell phone when they come up to a crosswalk... that's luck. That's winning or losing. Out here, you survive or you surrender. Period. That's determined by your strength and by your spirit. Wolves don't kill unlucky deer. They kill the weak ones. You faught for your life. Now you get to walk away with it.」
旧多二福公
2024-12-25 01:42
221118 【B】通篇是对希区柯克[后窗][迷魂记]的致敬，又在谋杀戏码中提及[电话谋杀案]，缝合经典电影元素为其所用调制出另一部毫无违和的电影也算是大师手笔。德帕尔玛很好地演示了窥视的要诀在于安全距离的把控，将对方一览无余并且保持着未被对方发现的位置，或是追踪与跟进对方的行踪让其置于视野之中。悬念的产生改变了参与的形式和欲望的动力，从期待当前正在发生的事情继续发展下去的窥视转变为，意识到应当制止事情如此进行而采取某种干预措施；即当欲望的对象面临消失的危险(也就意味着欲望根源的缺失与欲望的停滞)，此前从窥视中获取自我满足的形式不再有效，紧迫的行动因此成为必要，相比之下自身存在的暴露反倒显得无关紧要，根本目的乃是让欲望对象的形象，以及自身对其的欲望持续存在。
云中锦书
2024-12-25 09:57